PROLIFIC visual artist and multi-media artist, Hugh Hatitye Mubaiwa, who draws inspiration from his rural upbringing in Mhondoro and has a passion for exploring themes of identity, culture and social commentary, has premiered his Achidai So, an exhibition features 19 art pieces.
Achidai So is a captivating title that reflects the artist’s unique style and techniques, as well as his dedication to his children, Achida and Idai.
Some of the pieces on exhibition include Achidai My Own Blood, a heartfelt tribute to his children, and Afro Mix, which celebrates the natural beauty of African women.
Other notable works include Mukombe Tese, a sculpture symbolising cultural ties and community, and Mumvee KuPasture, a mixed-media piece exploring traditional beliefs surrounding the Sausage tree.
NewsDay Life & Style reporter Tendai Sauta (ND) recently had a lengthy chat with Mubaiwa (HHM) and below are highlights of the conversation:
ND: Hugh, congratulations on the launch of Achidai So at the 3Loft Gallery. Can you tell us about your background and what inspired you to become a visual artist?
HHM: My initial inspiration to be a visual artist was potential driven.
Also, I had my elder brother Raymond who was my then role model.
- Mubaiwa premiers Achidai So, a mirror of Zim culture
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ND: Achidai So is a captivating title.What does it mean, and how does it relate to the body of work on display?
HHM: Achidai So is the way one does things/operates.
In this case, I was demonstrating my own style and techniques that identify with me.
This title Achidai So, though it might sound like coinage, it also refers to both my children Achida and Idai, which equals to Achidai.
My body of work fits into this description.
ND: The exhibition features a diverse range of pieces. Can you walk us through two specific works, such as Piece 1, Piece 2, and share the stories behind them?
HHM: Piece 1 is called Achidai My Own Blood. This is directly my son Achida and my daughter Idai’s portraits.
It is, therefore, a dedication to them in some way as part of my performance.
Piece 2 is Afro Mix, which speaks to confidence in natural beauty of women through the natural hairstyles and colourful fashion.
ND: Your work often explores themes of identity, culture, and social commentary. How do you balance artistic expression with conveying powerful messages?
HHM: My work. This I manage through simple interpretation through direct interaction with our culture and identity. I try my best to keep my dialogue relevant
ND: As a prolific artist, you’ve exhibited locally and internationally. What insights can you share about the visual arts industry in Zimbabwe and globally?
HHM: About the visual arts in Zimbabwe and globally, I can see globally, I have expressed my story from a Zimbabwean point of view and kept my colour pallette uninterferred.
ND: What can your audience expect from Achidai So? Are there any interactive elements or surprises?
HHM: They should expect a completely different conversation.
The body of work included was never exhibited yet some of it dates back to the year 2016.
ND: You’ve been involved in various art initiatives in Zimbabwe. How do you think Achidai So contributes to the country’s vibrant art scene?
HHM: Achidai So’s contribution to the country’s art scene vibrancy can be that of consistency and sharing a true story differently and still effectively.
An expanded projection of imagination acquired through persistence can positively contribute to such.
After Achidai So, we have a forthcoming duo exhibition with my brother Lionel in March this year in Austria.
Having launched a brand Dzemudanga last year at the National Gallery of Zimbabwe, we are earmarked for many projects.
ND: Finally, what message would you like to share with your fans and supporters as they experience Achidai So?
HHM: I finally urge viewers to kindly take their time and visit Loft 3 Gallery since Achidai So is still up for the next two weeks.
I value their feedback and interaction. This solo show provides a closer engagement with my personality.
